Category Archives: public-playlist

public-playlist (category auto created by Wordpresser)

Kai Whiston, HDMIRROR Remix – Fall in Your Hands

I have absolutely no idea who Kai Whiston is, except for the URL he (?) publishes on Twitter:
http://smarturl.it/DEARBOYEI

What I know is that KW’s music probably leaves very few indifferent, or at rest. It induces change, shock, contrast. It is charged, menacing, so unexpected at times, that I enjoy it and revisit it, to shake/unlock myself in my own creative activities.

This music probably gets classified as “electronic”, but the classification is now vague, embracing nearly all the music that is produced, if the term is interpreted as “involving artificial, electronically produced rhythms”.

The “fall in your hands” track is the sixth from the album “No World Eternal”, which is quite a work of art and joy, for my ears.

Moby – All Visible Objects (bah!)

I am a “Spotify Explorer”, heavily relying on the service’s “Discover Weekly” feature, to find new good music. As I age, I find myself steering away from music with vocals, since too many lyrics seem “empty” to me, nothing but near-literal repeats of what was sung before. This is one motive to be an “explorer”: to find whatever still rises above the regular offerings and manages to enchant me.
I compile my findings in these public playlists. Check if you enjoy some.


I am listening to Moby’s “All Visible Objects” (2020), and I am appalled with the album. It is so weak, so poor, so unimaginative, that the 5 million people that listen to this garbage on Spotify, myself included, should be ashamed of have given attention to this farce, instead of rewarding any other new artists who are indeed creating.

What happened to Moby?! The signals were there since 2016 with the “remixes” and the “sessions”, but the occasional good track kept hopes alive, until this. This “All Visible Objects” album is garbage.

Track #1 (of 11) is trash disco; track #2 is a girl saying “my only love” all the time; track #3 is nothing but a mix of loops with brainwashing lyrics; track #4 tries to break out the literal crap, using richer samples and voices, but the vulgarity formula soon starts scoring in background.
At this stage I stopped my Spotify session. I do NOT want Spotify to suggest me “more like this”.
It is sad when so many extraordinaire artists have near zero monthly listeners and frauds like Moby 2020 eat all the revenue cake, just because of past hits and sheep culture.
Bah! Double bah!

Disgust yourself:

CSaA – The Emancipation Procrastination

I am a “Spotify Explorer”, heavily relying on the service’s “Discover Weekly” feature, to find new good music. As I age, I find myself steering away from music with vocals, since too many lyrics seem “empty” to me, nothing but near-literal repeats of what was sung before. This is one motive to be an “explorer”: to find whatever still rises above the regular offerings and manages to enchant me.
I compile my findings in these public playlists. Check if you enjoy some.


Superb album. Different in many senses.
Background beats with beautiful and original patterns that contrast the crowd, not only in their mathematical structure, but also in the instruments used, which range from rhythmic frictions on surfaces, to mechanical bells and voices.
Still, the foreground wind instruments are the true signature of all that I have listened from Christian Scott aTunde Adjuah (CSaA): strong in intensity, dynamic in amplitude and, above all, so beautifully arranged, mixed, made harmonic with the whole, that the end-result is a clear display of mastery in genres and musical “landscaping”!
Congratulation to this gifted artist.

Listening to Weyes Blood – Titanic Rising

Listening to Weynes Blood, “Titanic Rising”. Labelled as “indie”, and it is, but I think “retro” and even “classical” labels are better meta-info for this album, which is void of most modern mixing tricks. It is about lyrics, a natural female voice, and clean instrumentals. I am NOT listening to it on Spotify, but the fact is there is no better way to share it, than via a corresponding Spotify play list, which unfortunately can be of poor audio quality, if you are not on premium.

spotify:album:53VKICyqCf91sVkTdFrzKX

Spotify Playlist 20190512

I am a “Spotify Explorer”, heavily relying on the service’s “Discover Weekly” feature, to find new good music. As I age, I find myself steering away from music with vocals, since too many lyrics seem “empty” to me, nothing but near-literal repeats of what was sung before. This is one motive to be an “explorer”: to find whatever still rises above the regular offerings and manages to enchant me.
I compile my findings in these public playlists. Check if you enjoy some.


My Spotify playlist for the previous week of 190505

I am a “Spotify Explorer”, heavily relying on the service’s “Discover Weekly” feature, to find new good music. As I age, I find myself steering away from music with vocals, since too many lyrics seem “empty” to me, nothing but near-literal repeats of what was sung before. This is one motive to be an “explorer”: to find whatever still rises above the regular offerings and manages to enchant me.
I compile my findings in these public playlists. Check if you enjoy some.


My Spotify Playlist 20190421

I am a “Spotify Explorer”, heavily relying on the service’s “Discover Weekly” feature, to find new good music. As I age, I find myself steering away from music with vocals, since too many lyrics seem “empty” to me, nothing but near-literal repeats of what was sung before. This is one motive to be an “explorer”: to find whatever still rises above the regular offerings and manages to enchant me.
I compile my findings in these public playlists. Check if you enjoy some.